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These include the declining fortunes of rural America as farmers struggle against agriculture conglomerates. It was based on a substantial and growing body of research that confirms that consolidation is at the root of many of America’s most pressing economic and political problems. The pity is that Clinton’s stance wasn’t simple campaign rhetoric. Few other Democrats even mentioned the word monopoly. Yet after the Ohio speech, Clinton rarely touched again on the issue. It was a message seemingly tailor-made for the wrathful electorate of 2016. It’s no wonder Americans feel the deck is stacked for those at the top.” In a speech in Toledo last fall, Clinton assailed “old-fashioned monopolies” and vowed to appoint “tough” enforcers “so the big don’t keep getting bigger and bigger.”Ĭlinton’s words were in keeping with Bernie Sanders’s attacks on big banks, but went further, tracing how concentration is a problem throughout the economy. In an October 2015 op-ed, she wrote that “large corporations are concentrating control over markets” and “using their power to raise prices, limit choices for consumers, lower wages for workers, and hold back competition from startups and small businesses. Obama's Top 50 Accomplishments, RevisitedĪs it happens, Clinton did have the germ of exactly such an idea-if one knew where to look.Clinton simply didn’t articulate a vision compelling enough to compete with Donald Trump’s rousing, if dubious, message that bad trade deals and illegal immigration explain the downward mobility of so many Americans. But for the most part, black people could only be found behind the scenes, writing many recorded hits but receiving little money, fame or credit for their work.There are many competing interpretations for why Hillary Clinton lost last fall’s election, but most observers do agree that economics played a big role. Johnson, the first black person ever recorded, who became known as “The Whistling Coon” for his ragtime whistling starting in 1890, and vaudevillians George Walker and Bert Williams, who recorded a variety of songs at the turn of the 20th century. There were a few early exceptions: George W. Recording equipment-still in its infancy-was bulky, expensive, and entirely owned by white people, and white people didn’t listen to black music except for vaudeville songs that were sung by white people in blackface. But discrimination and income inequity meant that nearly no black artists were recorded. And though they documented and celebrated some of the best black music of their day, from blues to vaudeville to jazz, race records didn’t always benefit African-Americans.Īt the turn of the 20th century, black Americans performed in all sorts of musical genres: ragtime, vaudeville, all-black orchestras. That’s because race records were sold in stores and advertised in publications that catered to African-Americans.
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Record Rendezvous in Cleveland, Ohio specialized in selling “race music,” which was early rock and roll.Ī black person might own a shelf full of records by groundbreaking artists like Ma Rainey, Jelly Roll Morton or Duke Ellington, all of whom became best-selling artists on so-called “race records.” But a white person might have no idea who any of those artists were, though they had sold thousands of copies.